Elevate your video production with the Atomos Shogun 7 HDR Monitor Recorder Switcher—a powerful all-in-one 7" touch screen field monitor with 4K Apple ProRes RAW recording, quad SDI/HDMI I/O, and multi-camera live switching. Ideal for film, live events, and professional streaming setups, it offers instant playback, balanced audio, and stunning HDR monitoring with 3000-nit brightness and 1,000,000:1 contrast. Perfect for multicam shoots, DJ livestreams, and on-location productions needing high-speed, high-quality output.
At-a-Glance Highlights
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7” HDR touch screen with 3000-nit peak brightness
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4 x SDI & HDMI 2.0 inputs/outputs with live quad switching
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Records 4K ProRes, ProRes RAW, DNx, and more
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Live mix & record up to 4x 1080p60 camera feeds
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Instant playback, shot tagging & custom LUT support
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Professional audio I/O and high-speed SSD recording
Physical & Environmental
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Dimensions (W × H × D): 214 × 127 × 45 mm
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Weight: 709 g (25 oz)
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Mount Points:
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1 × anti-rotation mount (1/4" or 3/8") on top and bottom
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Operating Temperature: Up to 40°C
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Construction: Durable polycarbonate ABS plastic
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Cooling: Actively controlled fan + heat sink
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Tally Lights: Front and rear
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Multi-Function Button: Power and screen lock
Power
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Input Voltage: 6.2V – 16.8V
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Power Consumption: 10W – 33W
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Battery Compatibility: Sony NPF L-series
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Built-In Battery: No
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Battery Runtime (Recording 4K 30p):
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5200mAh: up to 1.5 hours
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7800mAh: up to 2.2 hours
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Dual Battery Slots: Continuous power
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DC Input: 2.1mm DC jack
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DTap Input: Via optional DTap to DC cable
Display
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Type: 7.2" SuperAtom IPS touchscreen (capacitive)
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Resolution: 1920 × 1200
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PPI: 327
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Color Depth: 10-bit (8+2 FRC)
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Backlight:
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Dynamic zoned
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FALD (Full Array Local Dimming), 360 zones
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Brightness:
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1500 nits typical
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3000 nits peak (HDR)
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Aspect Ratio: 16:10
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Color Gamut: DCI-P3 (D65)
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Calibration: Compatible with Atomos Calibrator and X-Rite i1 Display Pro/Plus
Color Pipeline
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Gamma Support:
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Sony SLog, SLog2, SLog3
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Canon CLog, CLog2, CLog3
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ARRI Log (CEI160 to CEI1600)
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Panasonic V-Log
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JVC JLog1
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RED LogFilm, Log3G10, Log3G12
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Fujifilm F-Log
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PQ (HDR10), HLG
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Nikon N-Log
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Gamut Support:
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BT.2020, DCI-P3, DCI-P3+
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Sony SGamut / SGamut3 / SGamut3.cine
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Canon Cinema, DCI-P3, BT.2020
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Panasonic V-Gamut
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ARRI Alexa Wide Gamut
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RED: DragonColor, DragonColor2, RedColor2–4, RedWideGamut
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Rec.709, JVC LS300
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3D LUT:
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.CUBE format support
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3D LUT downstream loop-out
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50/50 LUT split view
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Monitoring Modes: Native, HLG, PQ, 3D LUT
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HDR Output Conversion: Not supported
Video Input
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HDMI: 1 × HDMI 2.0 (up to 4Kp60)
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SDI:
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Quad-link 3G-SDI
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2 × 12G-SDI (auto-detect, backward-compatible)
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SDI RAW: ProRes RAW up to 6K
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Bit Depth:
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Video: 8/10-bit
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RAW: up to 16-bit
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Chroma Subsampling: 4:2:2
Metadata Support
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HDMI RAW: White balance, EI, shutter, iris, ISO, gamma, gamut
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SDI: File name from ARRI & RED
Video Output
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HDMI: 1 × HDMI 2.0 (4Kp60)
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SDI Loop-Out:
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2 × 12G-SDI (auto-detect, backward-compatible)
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SDI Playback Out:
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2 × 12G-SDI (Auto-detect, Level A/B selectable)
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Bit Depth: 10-bit
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Chroma Subsampling: 4:2:2
Web Streaming
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USB UVC Support: Optional via Connect 4K module
Signal Conversion
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HDMI to SDI: Yes (Video + RAW)
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SDI to HDMI: Yes (Video + RAW)
Audio I/O
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Quality: 24-bit / 48kHz (PCM)
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HDMI Input: 8 channels (24-bit)
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SDI Input: 12 channels (24-bit)
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Analog In/Out:
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Via optional XLR breakout cable
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Headphone Output: 3.5mm stereo
Timecode & Sync
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Embedded: HDMI & SDI
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Time of Day: Supported
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LTC In: Via BNC in Record mode
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Genlock: In Playback mode
Resolutions & Frame Rates
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6K (RAW via SDI only): Up to 30p
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4K DCI & UHD: 23.98 – 60p
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2K DCI (2046 × 1080): Up to 60p (Sony FX9 RAW: up to 180p)
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1080p (Progressive): 23.98 – 120p
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1080p (PsF): Converted to P; looped as PsF
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1080i (Interlaced): 23.98 – 60i
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720p: 50, 59.94, 60p
Recording Codecs
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CDNG: SDI RAW only
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Apple ProRes RAW: RAW and HQ
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Apple ProRes: LT, 422, 422 HQ
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Avid DNxHD: 220x, 220, 145, 36
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Avid DNxHR: LB, SQ, HQ, HQX
Playback
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Playlist Creation: Yes (custom from full or sub clips)
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Loop Playback: Yes (user-defined in/out points)
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ProRes RAW Playback: Yes
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ProRes & DNx Playback: Yes (with Linear PCM audio)
Recording Functions
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Pre-roll:
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HD: 8s
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4K: 2s
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(Not available in RAW)
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ISO Recording:
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Up to 4 × ISO (up to 1080p60, 3G SDI Level A)
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Switched Program Record: Up to 1080p60
Multi-Input / Switching
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SDI A/B Toggle: Yes (up to 12G-SDI)
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Dual Input Display: Via Multi ISO mode
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Multiple SDI Inputs: Up to 4 × 1080p60 (3G SDI Level A)
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Transitions: Auto or manual with XML support
Media Support
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Master Caddy I: Not compatible
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SSDmini: Yes (with optional handle)
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CFast II: Via optional AtomX CFast Adapter
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File Naming: Unit name + Scene/Shot/Take (with ARRI & RED via SDI)
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File System: ExFAT
On-Screen Monitoring Tools
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Waveform, RGB Parade, Vectorscope: Adjustable size/position
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Zoom:
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1× (1:1 pixel mapping for 4K)
- 2×
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Focus Assist: Peaking (adjustable color and threshold)
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False Color: With scale
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Zebra: Adjustable
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Color Isolation: Blue only
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Frame Guides:
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Cinematic: 2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3
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Social: 9:16, 1:1, 1.91:1, 4:5
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Safe Areas: Action and graphic
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Grid Markers: 9-grid
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Anamorphic Desqueeze: 1.25×, 1.33×, 1.5×, 1.8×, 2×
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Display Flip: Vertical only
Signal Processing
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Pulldown Removal:
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24/25/30pSF > 24/25/30p (2:2 pulldown)
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60i > 24p (3:2 pulldown)
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4K to HD Downscale: Loop-out
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DCI Crop: 17:9 to 16:9 loop-out crop
Remote Control
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HDMI: Auto trigger (Canon, Sony, Atomos Open
